Ellen de Lathouder
VP Creative Services
Meredith Corporation
Kathi Ramsdell
Promotion Manager
Rodale Press
Julie Doll
Promotion Manager
OxMoor House
Josh has an 11-year membership acquisition control for The National Fire Protection Association which won a MAXII Award -- the judges said it was "one of the great achievements in direct marketing history." He has a 10-year circulation control for F&W's Writer’s Digest. His circ control for Southern Living hung around for eight years. And his audience development kit was a 5-year winner for the erudite, NY Review of Books.
For direct response to work, you don't need a throne, but you do need a sturdy, three-legged stool.
Leg 1: A great offer.
Leg 2: Qualified buyers.
Leg 3: Clear compelling creative.
If you're missing any one, you'll topple over.
Let's say you're selling a new bamboo fishing pole.
If you send a great offer -- Take Your Fishing Pole Home And Try It For 6 Months FREE! -- to people whose only interest in fish is spreading lox on their bagel, you'll get bupkis.
If you send a tepid offer -- Save 5%! -- to qualified fishermen , you’ll still nada.
Your offer needs to be compelling AND it needs to go to qualified buyers.
THERE ARE NO OTHER CHOICES.
Well, there is one other way to screw up.
The third leg is your creative presentation. (That's what I do for a living.)
Your copy and design needs to be easily understood -- using some of the tricks we copywriters use to help drive response.
Otherwise, you might roll out to 40 million people and realize someone thought it was a good idea to overlay a big white offer headline over ... sea foam.
(I have nightmares about this kind of thing so you don't have to.)
WHY MAIL A SERIES TO MEDICARE PROSPECTS? The only thing Medicare prospects have in common is their age. Beyond turning 65, there’s no single message, format, or appeal that motivates everyone. Some respond to education. Others to urgency. Others to reassurance or a compelling offer. That’s why the strongest Medicare direct mail programs typically rely on a series of distinctly different packages designed to motivate different people—not simply repeated versions of the same mailing.
WHY ARE SO MANY DIRECT MAIL CAMPAIGNS TODAY POSTCARDS? Economics. Rising postage and production costs have pushed many marketers toward postcards because they reduce upfront expense. That’s a rational decision—but not always the most profitable one. In fact, in my career most of the time spending more on a persuasive letter package produced enough additional response to more than pay for itself. Smart marketers don’t optimize for production cost. They optimize for return on investment.
“DON’T REPEAT YOURSELF.” Hogwash. One of the biggest misconceptions about direct mail is that every component of a package should say something different. In reality, the opposite is often true. Your strongest offer and your most compelling unique selling proposition should echo throughout the package—on the outer envelope, in the headline, in the letter, in the brochure, on the lift note, and again on the reply device. Why? Because you never know which piece your prospect will read first, or whether they’ll read them all. Direct mail isn’t a subtle form of advertising. It’s a persuasive argument. The strongest arguments reinforce their central point again and again until it sticks.
“I HAVE OUTSIDE AGENCIES. AN IN-HOUSE CREATIVE TEAM. THEY ALL USE AI. EVERYTHING I GET LOOKS AND SOUNDS THE SAME.” I hear some version of this with surprising frequency. Good agencies have talented people, but they also have processes, branding guidelines, approval chains, and now AI—all of which can pull creative work toward the middle. Years ago, graphic designer David Wise and I could often spot an agency package the moment it hit the mailbox. It was polished. Professional. And somehow… anonymous. At its best, direct mail creates the illusion of one person writing to another. Whether the tone is warm, urgent, reassuring, authoritative, or even official, it should feel like a real human being is speaking directly to one prospect with something worth saying. That’s difficult to achieve when every sentence has been averaged, softened, and polished until it sounds like everything else. The goal isn’t to reject AI. It’s to make sure the finished work still has human fingerprints—the judgment, empathy, and originality that motivate people to stop, read, and respond.
My clients turn to me when the creative challenges are legion and the consequences of getting it wrong are significant — careers and millions hang in the balance.
Take my copy for Better Homes & Gardens; it mailed to every household in the country. The freakin’ printing bill was larger than the GDP of a small nation. Take my control for Consumer Reports; it rolled out to 40 million. I’m like the Tom Clancy of junk mail.
Large, stressful direct response projects are a day at the beach for me. I welcome the challenge and the responsibility. My job is to make you look like the smartest person in the room for hiring me.
I give blood at the alter of the Direct Response Gods so you don’t have to.
For the VISIONARY in you
For the START-UP FOUNDER in you
For the PUBLISHER in you
WHO KNEW?
... my direct mail package for
EVERYDAY HEALTH HINTS would
be the most successful sales letter
in Rodale’s history.
There was a time when
Rodale Press hired the best
direct response copywriters
in the world.
So when Rodale’s Marketing
Director, Kathi Ramsdell,
summoned me to Emmaus to
discuss launching a new
book about alternative
healing, I jumped at the
chance.
“Your copy now tops our winner’s list as
the BEST-EVER direct mail package for
Rodale books with results 2 to 1 over
the standard! In fact, response was so
high, we had to change the print run.”
Kathi Ramsdell, Rodale
Product Manager
FEATURED IN
MILLION
DOLLAR
MAILINGS
The art and science of creating
money-making direct mail —
revealed by more than 100 direct marketing
superstars who wrote
the best, and produced
the most powerful mailings
of the past decade.
Direct Mail University
Chris Salem
To paraphrase Thomas Hobbes, “The life of a growth marketer can be solitary, nasty, brutish, and short.”
Rob Dubin, Publisher, Sailing Quarerly
…go to Josh’s website and read every single word of every single page. Then save the pages to your computer and repeat the exercise again next week. Then the week after. Continue doing this week after week. In just a few months of this routine, you’ll have gained more copywriting insight than sitting down with Gene Schwartz himself. That Josh dude is a monster. And there’s a ton you can pick up from his samples on his website.” —K.G.
"I am NOT the greatest storytelling copywriter in America. That title belongs to … Josh Manheimer. This guy doesn’t just beat controls, he bludgeons them to death with 100%, 200%, even 300% victories." Richard Armstrong (probably the best storytelling copywriter in America)